Invasion U.S.A. (USA) (alternative spelling)
Invasion gegen U.S.A. (West Germany)
Invasione USA (Italy)
Der Turm der schreienden Frauen (West Germany)
Delitto del faro (Italy)
Eye of the Dead (USA) (TV title)
Tormented... by the She-Ghost of Haunted Island! (USA) (promotional title)
Limited edition of 1000 copies.
Kritzerland presents one of its first two new limited edition soundtracks for 2012:
Music Composed and Conducted by Albert Glasser
We're pleased to present a deliriously wonderful double bill of Albert Glasser scores. Invasion USA was made in 1952, when the Commie scare was in full bloom, the film is a nightmare (literally) vision of WHAT COULD HAPPEN HERE. The film is indescribable in its weirdness and exists in a whole other movie universe. It is a completely unique and classic B-movie, featuring a great B-movie cast, including Gerald Mohr, Peggie Castle, and Dan O'Herlihy. The film also has the distinction of having both TV Lois Lanes in the same movie – Phyllis Coates and Noel Neill. Even William Schallert makes a brief, uncredited appearance.
Eight years later would come another wild, weird and wacky movie called Tormented, made by the wonderful Bert I. Gordon. It was a story of death and jazz and love and a nasty female ghost come back to haunt and torment. The cast included Richard Carlson, Juli Reding, Lugene Sanders, and the adorable Susan Gordon (Bert's daughter). Also making an appearance is Joe Turkel, who did several films for Gordon and who would ultimately give his most memorable performance as bartender Lloyd in the Stanley Kubrick film, The Shining.
Naturally, the perfect person to score these films was Albert Glasser, and he delivered exactly what was expected of him and which no other composer could have delivered in quite the same way. For Invasion USA he created a blaring, driving, crazy-quilt of a score, with screaming, dissonant brass. One simply cannot imagine a more perfect score for the movie. For Tormented, since the film's leading man is a jazz pianist, Glasser naturally wrote a jazzy score – but this is not your normal jazz, this is TORMENTED jazz – jagged and crazy and somehow perfectly capturing the visuals of the film.
The two scores were mastered from Mr. Glasser's personal tapes. While there are occasional sound issues, our wonderful mastering engineer, James Nelson, has done Herculean work to make both scores sound as good as they're ever going to.